{"id":15835,"date":"2024-06-10T22:08:34","date_gmt":"2024-06-10T20:08:34","guid":{"rendered":"https:\/\/hdk-valand-graduation.se\/?p=15835"},"modified":"2024-06-10T22:08:34","modified_gmt":"2024-06-10T20:08:34","slug":"theres-k-agdler","status":"publish","type":"post","link":"https:\/\/2024.hdk-valand-graduation.se\/en\/theres-k-agdler\/","title":{"rendered":"Theres K Agdler"},"content":{"rendered":"[vc_row][vc_column offset=”vc_col-lg-8 vc_col-md-12 vc_col-xs-12″]
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Brottsplatsen - the quarry\/crime scene, 2024.
\nSculptures. Inverted holes - cut-out shapes of the mining holes in the five soapstone quarries in Hand\u00f6l. MDF, drillcores, talc. Variable size.
\nDetail image. Photo: Theres K Agdler<\/p>\n<\/div><\/div><\/div>

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Fragment av ett Brottslandskap \u2013 Fragments of a quarry\/crime landscape, 2024
\nSpatial installation. Sculptures, sound works, photographs. Variable size.<\/p>\n<\/div><\/div><\/div>

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Brottsplatsen - the quarry\/crime scene, 2024
\nClose-up image of one of the 5 sculptures.
\nPhoto: Peter Nylund<\/p>\n<\/div><\/div><\/div>

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TALCTALK \u2013 Brottsvittnen, TALCTALK quarry\/crime witnesses, 2024
\nSound installation. Interviews with people in and around Hand\u00f6l
\nInterviews, editing: Theres K Agdler, music: Arvid Lundberg.
\nTalc bag from Hand\u00f6ls Soapstone Factory, Raspberry pie, headphones, carpet. Variable size. Audiofile: wav, length 27 min.
\nPhoto: Theres K Agdler<\/p>\n<\/div><\/div><\/div>

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Brottsplatsen - the quarry\/crime scene, 2024.
\nDetail image.
\nPhoto: Theres K Agdler<\/p>\n<\/div><\/div><\/div>

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\u00c4ta eller \u00e4tas - Eat or be eaten, 2024
\nPerformancestills. Performance held during the opening, 2024-05-15.
\nThe performance consisted of baking the Sami bread Gaakhoe, roling dough with a drillcore, while reading a text about the exploitation of the North and the so-called Green Future. Theres K Agdler offered the public to taste the bread and asked: How does exploitation taste?
\nPhoto: Nils Agdler<\/p>\n<\/div><\/div><\/div>

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Performancestills. Performance held during the opening, 2024-05-15.
\nThe performance consisted of baking the Sami bread Gaakhoe, roling dough with a drillcore, while reading a text about the exploitation of the North and the so-called Green Future. Theres K Agdler offered the public to taste the bread and asked: How does exploitation taste?
\nPhoto: Peter Nylund<\/p>\n<\/div><\/div><\/div>

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Stills from the essayfilm Brottet \u2013 the quarry\/crime, 2024.
\nAvailable in 4K, HD. Length 28 min. 45 sec.
\nPhoto: Theres K Agdler<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>

Stills from the essayfilm Brottet \u2013 the quarry\/crime, 2024.
\nAvailable in 4K, HD. Length 28 min. 45 sec.
\nPhoto: Theres K Agdler<\/p>\n<\/div><\/div><\/div>

\"\"<\/a>

Stills from the essayfilm Brottet \u2013 the quarry\/crime, 2024.
\nAvailable in 4K, HD. Length 28 min. 45 sec.
\nPhoto: Theres K Agdler<\/p>\n<\/div><\/div><\/div><\/div>

\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"<\/div><\/div><\/div>[vc_column_text width=”900″ css=”.vc_custom_1716989446816{margin-top: 40px !important;}” align=”left” text_align=”left”]\n

BROTTET \u2013 the quarry\/crime<\/span><\/h2>\n

The art project studies the effects of industrialisation and the colonialisation of the North. Theres K Agdlers site-specific artproject BROTTET \u2013 the quarry\/crime<\/em> is an investigation into a microhistory situated in a global rhizome of capitalist structures. In the 19th century, the north of Sweden (Norrland) was known as \u201cFramtidslandet\u201d, the land of the future. Yet also in this period, processes of industrial and colonial exploitation began, affecting land, water, and people.<\/p>\n

Soapstone has been extracted in Hand\u00f6l, J\u00e4mtland, for more than 400 years. The now closed soapstone factory has affected all the people living in and around Hand\u00f6l.\u00a0Over the course of one day in 2013, the Norwegian factory owners left. They took all the machines (partly financed by regional funding) and a lot of soapstones over the border. Then they went bankrupt. They left an empty factory, they left people in Hand\u00f6l without work and income, they left the holes in the ground.<\/p>\n

We are currently in the third phase of the exploitation of Norrland. Norrland is now the \u201dLand of the Future\u201d for the \u201dGreen Transition\u201d.\u00a0 Yet just like industrialisation in the 19th century, the extraction of Sweden\u2019s green future is being planned above the heads of the people who live here.<\/p>\n

Not far from Hand\u00f6l, in Oviken, near the lake Storsj\u00f6n, a vanadium and uranium mine is being planned and could affect the entire region\u2019s drinking water supply. There is a link between this project and Ranstad in the region of West G\u00f6taland where uranium was extracted from alum shale between 1965 and 1969 for the Swedish nuclear power programme so that Sweden could be self-sufficient in uranium. Now, in 2024, the Swedish government wants to lift the ban on uranium mining and invest in new nuclear power.<\/p>\n

The time of exploitation repeats itself.<\/p>\n

Norrland is being framed to have a new future, this time called \u201dGreen Future\u201d.<\/p>\n

Theres K Agdler’s<\/strong> artistic work revolves around questions of the periphery and the centre and how resources are distributed nationally and globally. She works with research-based site-specific investigations using photography, film, installation, sculpture, performance, sound and text. Theres K Agdler studied at the Academy of Fine Arts in Trondheim, Norway and at the Royal Institute of Art in Stockholm. She will graduate with a Master’s degree in Fine Art from HDK-Valand, University of Gothenburg in spring 2024.<\/p>\n

thereskagdler@gmail.com<\/a>
\nthereskagdler.cargo.<\/a>
\n@theres.k.agdler<\/a><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ offset=”vc_col-lg-4 vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column offset=”vc_col-lg-8 vc_col-md-12 vc_col-xs-12″][vc_column_text width=”900″ css=”.vc_custom_1716989446816{margin-top: 40px !important;}” align=”left” text_align=”left”] BROTTET \u2013 the quarry\/crime The art project studies the effects of industrialisation and the colonialisation of the North. Theres K Agdlers site-specific artproject BROTTET \u2013 the quarry\/crime is an investigation into a microhistory situated in a global rhizome of capitalist structures. In the 19th century,…<\/p>\n","protected":false},"author":7,"featured_media":15818,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[75],"tags":[],"yoast_head":"\nHDK-Valand Graduation - Theres K Agdler<\/title>\n<meta name=\"description\" content=\"HDK-Valand v\u00e4lkomnar dig att ta del av arbeten ifr\u00e5n \u00e5rets examensstudenter.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HDK-Valand Graduation - Theres K Agdler\" \/>\n<meta property=\"og:description\" content=\"HDK-Valand v\u00e4lkomnar dig att ta del av arbeten ifr\u00e5n \u00e5rets examensstudenter.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2024.hdk-valand-graduation.se\/en\/theres-k-agdler\/\" \/>\n<meta property=\"og:site_name\" content=\"HDK-Valand Graduation\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/HDKValand\" \/>\n<meta property=\"article:published_time\" content=\"2024-06-10T20:08:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2024.hdk-valand-graduation.se\/wp-content\/uploads\/2024\/05\/1-theres-k-agdler-brottsplatsen-the-quarrycrime-scene-2024-detailimage-theres-k-agdler-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1922\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Miriam Fumarola\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@HDK_Valand\" \/>\n<meta name=\"twitter:site\" content=\"@HDK_Valand\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Miriam Fumarola\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/2024.hdk-valand-graduation.se\/en\/theres-k-agdler\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/2024.hdk-valand-graduation.se\/en\/theres-k-agdler\/\"},\"author\":{\"name\":\"Miriam Fumarola\",\"@id\":\"https:\/\/2024.hdk-valand-graduation.se\/en\/#\/schema\/person\/140b29b774d791c0757f8b34c8676ad7\"},\"headline\":\"Theres K Agdler\",\"datePublished\":\"2024-06-10T20:08:34+00:00\",\"dateModified\":\"2024-06-10T20:08:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/2024.hdk-valand-graduation.se\/en\/theres-k-agdler\/\"},\"wordCount\":478,\"publisher\":{\"@id\":\"https:\/\/2024.hdk-valand-graduation.se\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/2024.hdk-valand-graduation.se\/en\/theres-k-agdler\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/2024.hdk-valand-graduation.se\/wp-content\/uploads\/2024\/05\/1-theres-k-agdler-brottsplatsen-the-quarrycrime-scene-2024-detailimage-theres-k-agdler-scaled.jpeg\",\"articleSection\":[\"MFA Fine Art\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2024.hdk-valand-graduation.se\/en\/theres-k-agdler\/\",\"url\":\"https:\/\/2024.hdk-valand-graduation.se\/en\/theres-k-agdler\/\",\"name\":\"HDK-Valand Graduation - 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